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Art Stage Singapore

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Singapore's annual Contemporary Art fair bringing collectors, artists, curators, and over 100 galleries together. As a geographic link between East and West, Art Stage Singapore aims to make connections with emerging and established regional and international artists. The fair includes lectures, workshops, and art-related events throughout the duration of the Fair.

 

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Agus Suwages "Luxury Crime" -- Courtesy of Art Stage Singapore
Thursday, January 24, 2013 to Sunday, January 27, 2013
Thursday, December 6, 2012
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Thursday, December 6, 2012 - 12:46
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Agus Suwages "Luxury Crime" -- Courtesy of Art Stage Singapore
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Art Rotterdam

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The annual, trendsetting Art Fair of the Netherlands.

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Thorsten Brinkman @ Galerie Elisa Platteau -- Courtesy of Art Rotterdam
Thursday, February 7, 2013 to Wednesday, February 13, 2013
Thursday, February 7, 2013
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Thorsten Brinkman @ Galerie Elisa Platteau -- Courtesy of Art Rotterdam
Thursday, December 6, 2012 - 12:59
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Thorsten Brinkman @ Galerie Elisa Platteau -- Courtesy of Art Rotterdam
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Frieze Art Fair - NYC

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Courtesy of NYC Frieze
Friday, May 10, 2013 to Monday, May 13, 2013
Friday, May 10, 2013
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Courtesy of NYC Frieze
Thursday, December 6, 2012 - 13:06
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Dallas Art Fair

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Bringing together national and international art dealers representing painting, sculpture, works on paper, photography, video and installation by modern and contemporary artists, the Dallas Art Fair attracts thousands of visitors. A preview gala will be held April 11, 2013.

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Dallas Art Fair -- Courtesy of Randy Cynthia Smoot via Flickr
Friday, April 12, 2013 to Sunday, April 14, 2013
Thursday, December 6, 2012
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Dallas Art Fair -- Courtesy of Randy Cynthia Smoot via Flickr
Thursday, December 6, 2012 - 13:10
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Dallas Art Fair -- Courtesy of Randy Cynthia Smoot via Flickr
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TEFAF Maastricht

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TEFAF, an annual fair in the Netherlands, brings together thousands of years of art and antiques.

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TEFAF artwork -- Photo by Loraine Bodewes
Friday, March 15, 2013 to Sunday, March 24, 2013
Thursday, December 6, 2012
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TEFAF artwork -- Photos by Bastiaan van Musscher and Loraine Bodewes
Thursday, December 6, 2012 - 13:39
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TEFAF artwork -- Photo by Loraine Bodewes
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Zona Maco: México Arte Contemporáneo

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The 10th annual Zona Maco brings hundreds of galleries to Mexico City.
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Courtesy of Zona Maco
Wednesday, April 10, 2013 to Sunday, April 14, 2013
Thursday, December 6, 2012
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Courtesy of Zona Maco
Thursday, December 6, 2012 - 13:44
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In its Biggest, Glitter-Filled Edition, Art Miami Brings Wide Breadth of Works

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In its Biggest, Glitter-Filled Edition, Art Miami Brings Wide Breadth of Works

If this year’s Art Basel Miami Beach lacked the frenzied, Swarovski-studded spirit for which it has become notorious, then Wynwood’s Art Miami — one of nearly two dozen satellite fairs this year — picked up the slack. Crowds pushed through the tent doors of Tuesday night’s preview party faster than security guards could scan the VIP passes. Inside, the event was bigger than ever, with 125 participating galleries, many hailing from the warmer climes, and a new “CONTEXT” section for emerging art.

And there was no shortage of glitter, gold, and body paint.

“Miami’s a great place for color,” said Santa Fe dealer David Richard, who specializes in geometric and Op art. “We’ve already had tons of interest in Fred’s work,” he added, referring to Finish Fetish artist Fred Eversley’s aeronautically sleek, cast polyester sculptures.

The booth of Miami’s Tresart gallery sparkled under Vik Muniz’s “Diamond Divas” series of bejeweled Marilyns, Brigittes, and Sophias. Those were contrasted with a different sort of commercial sure-thing — paintings by Wifredo Lam, star of the ever-hot Surrealist market.

Outside in the courtyard, a dancer coated in gold body paint performed near a Banksy mural that had been transported from its original home on the side of a Los Angeles apartment building to this velvet roped-off corner of the fair.

“The collectors here are very different from New York collectors,” said Anna Jill Lüpertz, whose gallery, AJLART, set up shop for the first time in a pink-walled booth as part of CONTEXT’s special focus on Berlin art spaces for 2012. “They invite you into their houses, and color-wise they’re different. But they’re still very serious.”

The mood was generally a bit more sober among several of the Berlin-based galleries participating in CONTEXT. A series of Knut Wolfgang Maron photographs taken of the artist’s mother in the years leading up to her death were on sale for about $48,000 for a set of three. “It’s relaxed, I had very good conversations with intellectual art buyers,” said the owner of the gallery, Zone B. “I have no interest in people who are just very rich.”

And at Allan Stone, the gallery once run by the major Ab-Ex collector and now spearheaded by his daughter Allison Stone Stabile, blue-chip artists like John Chamberlain and Wayne Thiebaud appear alongside the lesser-known painters Robert Baribeau and Richard Hickam.

“After my father passed away, I’ve been trying to put forward more of the artists he was interested in supporting,” said Stone Stabile. “This fair is much more interested in seeing breadth, not just the biggest names.”

Which means that the work at Art Miami can occasionally be hit or miss. But at least it is novel. “You’ll probably see work at Basel that you’ve seen for the last three years,” said dealer Thomas Jaeckel, who was showing paintings by Armando Marino, among others. “You will never see anything in my booth that you’ve ever seen at an art fair before.”

To see all Miami 2012 coverage, click here

 
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Billionaire Steven Cohen MIA at ABMB, Romania Demands Brancusi's Body, and More

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Billionaire Steven Cohen MIA at ABMB, Romania Demands Brancusi's Body, and More

Steven Cohen a No-Show in Miami: As his $14-billion company, SAC Capital Advisors LP, braces for an insider trading investigation, billionaire art collector Steven Cohen is conspicuously absent at this week's Art Basel Miami Beach fair and its many satellites, where his purchases have accounted for a good deal of gallerists' business in past years — while some speculate that he may even begin to sell works from his prized collection if things go badly for his firm. "We would absolutely hate to have him not active in the market, I can wholeheartedly say that," said gallerist David Zwirner. "This man is a friend of mine. I called him last week — 'How are you? What’s going on?' I think the art world is rooting for him. I’m rooting for him. I wish he were here right now." [Bloomberg, NYT]

Romania Wants Brancusi's Body: Romanian prime minister Victor Ponta has announced that his government plans to begin legal proceedings to have the body of the Romanian-born French sculptor Constantin Brancusi (1876-1957) exhumed from Paris's Montparnasse Cemetery and repatriated to Romania. "The government is calling upon a cabinet of Parisian lawyers to obtain all the necessary decrees and legal permits necessary so that Constantin Brancusi's remains may be exhumed and brought to Targu Jiu," Ponta said. Shortly before his death, Brancusi — who spent his childhood in the Romanian town of Targu Jiu — told a bishop in Paris that he was sad to be dying in France and not in his home country. [AFP]

Artists Play Beach Soccer on Miami Moonscape: The French artist duo Kolkoz have brought their national pastime — soccer — to Miami Beach, where they have organized a three-day beach soccer tournament on a stretch of sand sculpted to resemble the surface of the moon as documented by the Apollo 11 mission. The tourney, sited between the W Hotel and the Setai and presented by Galerie Perrotin (which represents the duo), features four teams clad in shiny outfits corresponding to their names — Bronze, Silver, Gold, and Copper — and star players including Art Basel Miami Beach director Marc Spiegler, his predecessor Sam Keller, artists Bhakti Baxter and Jesper Just. The final playoff is schedule for 4 p.m. on Saturday. [TAN]

How Poly Came to Rival Christie's and Sotheby's: In the seven years since its first sale, Poly Auction has grown from a subsidiary of a unit of the People's Liberation Army, focused on returning artifacts that had been stolen or exported to China, into the third largest auction house in the world, thanks chiefly to the country's emerging middle class and in spite of the relatively lax laws regulating the domestic art and antiquities market. "We're just getting started in collecting in China," he says. "There's a whole generation of wealth coming up now," said the head of Poly Auction Zhao Xu. "They all have a house and a car. Next, they'll buy art." [WSJ]

Arts Cuts Killing Public Art in Europe: For the past 20 years European governments — municipal, regional, and national — have seen public art as a way of revitalizing depressed or downtrodden locales, and fostering a more cosmopolitan (and tourist-friendly) culture. As the continent continues to suffer through a widespread recession, however, non-profits are increasingly looking to private sector organizations to help boost public art funding, a model that has already become the norm in the United States. "Nobody would question the notion that a city's theaters, galleries, concert halls and museums are an important part of what that city has to offer," said Yorkshire Sculpture Park program director Clare Lilley. "It is curious, therefore, that people don't consider public sculpture an important part of the civic landscape." [WSJ]

Margaret Lee Nabs NADA Miami Award: Artist Margaret Lee, whose still-life inspired installation and photography work is featured in the booths of both Milwaukee's The Green Gallery East and New York's Jack Hanley Gallery at this week's NADA Miami fair, has been selected as the recipient the Artadia NADA Award, which comes with an unrestricted $4,000 cash prize and was juried by MoMA PS1 curator Peter Eleey and Kunsthalle Zurich director Beatrix Ruf. Lee, who was born in the Bronx and co-founded the Lower East Side gallery 47 Canal, will be featured in upcoming exhibitions at Murray Guy, PS1, and Jack Hanley. [Press Release]

—  S.F. Museums Curator Leaves Mysteriously: Lynn Orr's 29-year tenure as a curator of European art at Fine Arts Museums of San Francisco (FAMSF) — the private non-profit that runs the city-owned De Young Museum and Legion of Honor Museum— has come to an end, but the conditions of her departure remain unknown. "I don't know whether she's been fired or quit or is being required to take a sabbatical. No one has given us an explanation," said FAMSF registrar Steven Lockwood. "She's an enormous asset to this institution. She knows things about the European collection that no one else does. She can't be replaced." [SFChronicle]

Whitney Curator Rothkopf Promoted: Scott Rothkopf, a curator at the Whitney Museum since 2009 — in which time he curated a major solo show by Glenn Ligon and the current Wade Guyton survey — has been named to the newly created position of Curator and Associate Director of Programs, which will have him working closely with the museum's chief curator and deputy director of programs, Donna De Salvo. His next major project is the 2014 Jeff Koons retrospective that will nearly fill the Whitney's entire Marcel Breuer building before the institution moves downtown. "Three years ago we welcomed Scott as one of the most important emerging voices in the field," De Salvo said. "He has made enormous contributions to the Museum as a curator and demonstrated a talent for the kind of broad and strategic thinking that will be invaluable to the team as we chart the Whitney’s future." [Press Release]

Italian Police Save Stolen Sphinx: A 2,000-year-old Egyptian statue of a Sphinx that had recently disappeared from a necropolis outside Rome was recovered by Italian authorities before its thief could smuggle it — and other ancient artifacts — out of the country and onto the black market. The Ptolemaic-era artifact was only discovered after pictures of it turned up during a police inspection of what turned out to be the thief's truck. "The investigation began with a random check of an industrial vehicle during which police found a decorative ceramic object from an excavation as well as many photos of the Egyptian sculpture," a police statement explained. [AFP]

Rubells' Resident Artist Reveals All: This summer U.K.-based artist Oscar Murillo was the resident artist at Miami's Rubell Family Collection, super-collector Mera and Donald Rubell's private museum, where he lived in an apartment adjoining the museum and was able to work on his series of large-scale paintings — five of which will be exhibited at the Collection — at all hours of the night. "It wasn’t like a commission—I was never told 'we want this type of work,' but I knew I was going to have a show in that space and there were certain things I wanted to focus on," Murillo said. "However, there was enough time to treat the space as a studio and not assume that certain works were going to be shown." [TAN]

VIDEO OF THE DAY

ARTINFO editor-in-chief Benjamin Genocchio tours his favorite booths at Art Basel Miami Beach:

ALSO ON ARTINFO

VIDEO: Tour Art Basel Miami Beach's Best Booths With ARTINFO's Benjamin Genocchio

Sales at Art Basel Miami Beach Gather Momentum on the Fair's Second Day

In Its Biggest, Glitter-Filled Edition, Art Miami Brings Wide Breadth of Works

UNTITLED, Miami's New Beachside Indie Fair, Proves a Draw for Emerging Dealers

VIDEO: See the Artists and Booths of the 2012 PULSE Miami Art Fair

The Passing of a Modernist Master: A Tribute to Oscar Niemeyer

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ARCOmadrid

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ARCOmadrid brings together approximatly 160 exhibitors from over 30 countries, with a particular focus on Turkish galleries. Professionals: Wednesday 13, from 12 noon to 9 pm & Thursday 14, from 12 noon to 8 pm. General public: Friday 15, Saturday 16 & Sunday 17, from 12 noon to 8 pm.

 

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Reginaldo Pereira "Maiastra Ogum," 2012 -- Courtesy Casa Triángulo
Friday, February 15, 2013 to Tuesday, February 19, 2013
Wednesday, February 13, 2013
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Pablo Genovés "Atracción del Abismo," 2011 -- Courtesy of ARCOmadrid
Friday, December 7, 2012 - 11:11
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Reginaldo Pereira "Maiastra Ogum," 2012 -- Courtesy Casa Triángulo
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Richard Phillips and Cecilia Dean Give and Get at Jonathan Horowitz's "Free Store"

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Richard Phillips and Cecilia Dean Give and Get at Jonathan Horowitz's "Free Store"
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MIAMI BEACH — It was an art-world swap meet at multimedia artist Jonathan Horowitz’s “Free Store,” hosted by Visionaire, Net-a-Porter.com, and Mr Porter.com at the SLS Hotel last night. Horowitz invited partygoers to “bring stuff in you can’t use, take stuff away that you can” — and that they did. Gallerist Gavin Brown donated a pack of dental floss, Grey Area co-founder Kyle DeWoody offered a black Alexander McQueen skull scarf, and fashion designer Cynthia Rowley gave one of her Gagosian sewing kits. Lucky guests snapped up the sewing kit and scarf immediately, while other items — like a paint set and the heavy flat-screened television — had no takers.

Artist Richard Phillips forgot the silk top hat he planned to put in the store, but instead donated money to the Rockaway Relief collection water bottle. He opted to not to take anything. Instead, he chatted poolside with friends and his girlfriend, artist Josephine Meckseper. “I’m just taking the good vibes from the event,” said Phillips. “I’m leaving the objects for people to properly exchange.”

The crowd boogied down as Visionaire co-founders James Kaliardos and Cecilia Dean, who put Japanese porcelain cups in the “Free Store,” mingled. Dean told ARTINFO what she planned to bring home. “I’m going to take the shelves,” she said. “I think everyone had a really good time.”

Click on the slideshow to see guests at Jonathan Horowitz’s “Free Store,” presented by Visionaire, Net-a-Porter.com, and Mr Porter.com.

 

 

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VIDEO: Kenya Hara Unveils His Architecture for Dogs During Design Miami/

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VIDEO: Kenya Hara Unveils His Architecture for Dogs During Design Miami/

MIAMI BEACH — Although his day job is creative director of Muji, Japan’s less flamboyant answer to Target, designer Kenya Hara still feels the need to explore other creative pursuits, particularly those that enlist his intellectual peers to stretch the possibilities of the world around us. Following the ill-executed “Architecture for Macaroni,” a collaborative effort to build a better noodle (a failure, since it turns out that macaroni is already perfect), he’s recruited 1o designers — including the likes of Shigeru BanAtelier Bow-Wow, MVRDV, Toyo Ito, and Konstantin Grcic— for a new project: Architecture for Dogs, a series of absolutely un-ironic structures that cater to the special needs of man’s best friend.

Hara’s earnest mission was to give dogs equal footing in a world built for two-legged creatures. After doing substantial research, each designer built a work of architecture to specifically meet the needs of a certain breed: For the smallest dog, the teacup poodle, Hara himself crafted a teacup-sized set of stairs to bring Fido (or Fifi) eye to eye with his (or her) master. Because Jack Russel terriers love nesting in their masters’ clothing, Torafu put together a simple framework humans could slip their own sweaters over to make a very simple hammock; and Grcic, rewarding poodles for their ability to recognize themselves in mirrors, has given them a circular, self-lighting vanity, complete with oriental rug.

During Design Miami/, Hara was on hand with a few four-legged accomplices to show this canine architecture in action. Best of all, Reiser + Umemoto finally explained to us what that body-hugging chihuahua Lady Gaga suit was all about.  

To watch our interview with Kenya Hara, click the video below:

 

To download blueprints and instructional videos of these prototypes, click here.

To see all of ARTINFO's coverage of the Miami fairs, click here.

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Save This Art! 15 Works Worth Remembering From Art Basel Miami Beach, and Why

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Save This Art! 15 Works Worth Remembering From Art Basel Miami Beach, and Why
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MIAMI BEACH — As most people are now aware, the “event-driven” art economy represents the art market running to stand still. At big fairs like Art Basel Miami Beach, tremendous amounts of money and resources are spent to pique the interests of wealthy collectors and their multitudinous hangers-on, sometimes with spectacular success. However, since the experience costs a lot to participate in, and is displacing sales through storefronts — which now seem so 20th century as a locus for art commerce — its merits are debatable. Artistically, it doesn’t add up to much; I dread art fairs like I dread going to the dentist, with the same sad knowledge that it is a necessary duty. How much, exactly, do you remember year to year from your frenzied passage through these things? Unless you sold millions of dollars of art or got laid, not much at all. Which means, in my case, definitely not much at all.

At the same time, the only thing that bores me more than art fairs is my own art fair ennui. If you wanted to accentuate the positive, you could say that the good side of Art Basel Miami Beach is that it functions as a kind of ad hoc annual global survey, with a quantity of art equal to or greater than the average biennial (someone once said that fairs were an example of “laissez-faire curating;” in fact, the “Laissez Fair” would be a dynamite name for a Miami Beach satellite!). The organizers do make an effort to bring in newer galleries, and at the Convention Center a visitor is able to get a snapshot of international art trends that you couldn’t easily find anywhere else — even if a certain pre-packaged sameness seems to dominate and the format itself tends to make everything blend together into a kind of “contemporary art gray,” reading as an endlessly scrolling blog of bits and pieces of this and that.

I’ve always felt that art fairs repel critical thought, but this year I realized that one way to think about your role covering the big fair is that you are on a rescue mission. Here the window opens to the public, briefly, on the back rooms of the commercial gallery world; all the best art comes out in the open — but only for a moment. Soon it will be whisked away, vanishing into some golden penthouse or cold corporate lobby, where the average person will never get to see it (unless it flips back into the auction market in a few years’ time). So, I’ve gone ahead and picked out 15 artworks I found this year at Art Basel Miami Beach that are worth remembering, from across the entire historical arc of the work on view at the fair. Perhaps, someday, this will help some art historian piece together where they ended up.

To see 15 works of art worth remembering from Art Basel Miami Beach 2012, click on the slideshow.

To see all ARTINFO’s Miami 2012 coverage, click here.

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Rear View: Tesla’s Sexy Model S Looks Even Better From the Back

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Rear View: Tesla’s Sexy Model S Looks Even Better From the Back
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For an electric car, Tesla Model S gets a lot of juice.

The stylishly sculpted plug-in soda can torpedo from Silicon Valley — its sleek, lithium ion battery-charged aluminum body capable of attaining recorded speeds of 0 to 60 mph in less than four seconds — has been piling up the superlatives in recent months, culminating with the auto industry’s coveted Motor Trend Car of the Year Award in November.

The zippy four-door sedan is the first vehicle in the magazine’s 64-year history to earn that distinction without the traditional element of concealing an internal combustion engine under its hood.

“I think we’re actually at a pivotal turning point in history,” said Elon Musk, Tesla Motors’ cherub-faced CEO, during the splashy announcement party at Manhattan’s Skylight West Studios. In classic tech-world fashion, Musk accepted his trophy with a heavy dose of Steve Jobs-style theatrics and aggrandizing. “What has been achieved here is an electric car that is truly the best car of any kind,” Musk said. “It’s not the best car if you have to have an electric car — it’s just the best car.”

At a time when many New Yorkers were wrangling with gasoline rationing in the aftermath of Hurricane Sandy, the crowning of an electric car as the best in the business seemed rather apropos. On the flipside, large swaths of the storm-battered city also lacked electricity, rendering any battery-powered transport just as useless.

In any case, energy proved to be in far greater supply than the Model S. The California-based company manufactured only 350 of the high-tech machines in its first quarter of production, with plans to make another 2,500 to 3,000 by the end of 2012. Thousands of reservation holders, who plunked down the minimum $5,000 deposit to even test drive a showroom model, are still awaiting delivery of their very own Model S, making it arguably the hottest and most exclusive electronic innovation since the iPad. And, based on the Apple-esque 17-inch touchscreen dashboard controls, you’d be forgiven for thinking it was made by the same company.

Musk, the tech billionaire whose other job is building rockets to Mars, loaned the keys to his personal souped-up 416-horsepower edition for Motor Trend’s initial road test.

Perhaps even more impressive than its high performance numbers, Model S also elicits a type of visceral acclaim that’s typically reserved for more decadent, less eco-friendly rides.

“It’s wide, long, low, and looks great,” said Motor Trend Editor-in-Chief Edward Loh during a videotaped presentation. “Especially from the rear,” he added, drawing chuckles from assembled gawkers.

Later, crouching behind the taillights of a cherry red showroom model parked on stage, Loh outlined a few of the sexy sedan’s more striking backside attributes.

“For an electric car, or any of these alternative vehicles, it doesn’t have dorky, lame proportions,” Loh explained.

Specifically, Model S avoids the clunky sort of camelback look of, say, the Toyota Prius, whereby the industry’s top-selling hybrid displays “a higher butt than a nose,” he noted. By comparison, Tesla’s snout-to-tail ratio appears much more level.

Loh seemed even more impressed by the depth of Tesla’s rear haunches. (In keeping with anatomical metaphors, think of these as the car’s hips.) Model S is by no means the Mae West of the contemporary luxury market in this regard. “That would be the Bentley Continental GT,” said Loh. But, it’s not supposed to be, either.

According to Franz von Holzhausen, Tesla’s chief designer and creative director, the intended body type is more akin to that of an elite modern athlete than some voluptuous icon of the Jazz Age. “That kind of sculpted physique is all about efficiency, and the big idea of an electric car is about efficiency,” von Holzhausen said. “There’s a musculature to the car. There’s a little bit of toughness and good stance and proportion, which is important. But, at the end of the day, it’s this lean, beautiful physique.”

Albeit one with an apparent blemish.

While the hindquarters of the Model S are a big asset, at least design wise, the front of the car can be a detraction. In fact, it’s one of the few elements of the Model S to draw any criticism from Motor Trend.

In place of a traditional toothy front grille, Model S sports a dark glassy oval-shaped cap. “We call it a nose cone,” said von Holzhausen, explaining that, from a functional standpoint, the electric motor doesn’t require the same ventilation as the typical old-school gas-guzzler.

Compared to the various shiny chrome mesh patterns of many identifiable brands on the road these days, however, Tesla’s space-shuttle-like tip looks a little nondescript.

One judge called it “a missed opportunity to establish brand identity.”

To hear von Holzhausen tell it, creating a new identity was the whole point. “For me, it was important to have a place where the badge could live and become part of the face,” said the designer, who stands by the cone concept, despite its detractors. “It really helps to set off the Tesla ‘T’ and the branding and give the car a sporty but regal and identifiable character for the face.”

Front-end styling aside, it is unquestionably the most elegant electric car on the market. But, even von Holzhausen admits, that’s not saying much.

“Look at the competition,” he said. “They blame the looks on aerodynamics, function, and stuff like that. But, we have the best aerodynamics and still it’s a beautiful car.”

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Hollywood Meets the Art World at the Dom Pérignon Luminous Rosé Party

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Hollywood Meets the Art World at the Dom Pérignon Luminous Rosé Party
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MIAMI BEACH —To get into the Dom Pérignon Luminous Rosé soirée, hosted by arty party boys Alex Dellal, Vito Schnabel, and Stavros Niarchos at the Wall at the W, was every eager Art Basel Miami Beach scenester’s nightmare. Unless you knew one of the ladies at the door, you were left out in the breezy Miami night air. Once past the three checkpoints, the bass pounded and the champagne (along with Belvedere Vodka) flowed as partiers raged. Kanye West and his girlfriend, Kim Kardashian, were in the house, as was her sister Kourtney Kardashian and her fiancé, Scott Disick. Art-world luminaries Jeffrey Deitch, Tony Shafrazi, and Aby Rosen mixed with actor Owen Wilson, fashion designer Vera Wang, and Moda Operandi founder Lauren Santo Domingo. We even caught a glimpse of New York Knicks forward Carmelo Anthony, who arrived around at 3 a.m. with four bodyguards in tow to celebrate his victory that night against hometown team the Miami Heat.

Click on the slideshow to see guests at Dom Pérignon’s Luminous Rosé party.

 

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The Style Hunter's Guide to Delhi

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Bikini Sari by Shivan Narresh -- Photo by Parikhit Pal
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Having studied under the likes of Vivienne Westwood and Giles Deacon, 25-year-old London College of Fashion alumna Ruchika Sachdeva has bottled some London edginess and brought it to Delhi.  At Sachdeva's first boutique, Bodice (which is named for her two-year-old label and opened in Hauz Khas Village late last year) oversized cuts and oblique angles give a fresh look to feminized blazers, hipped-up hunting jackets, and trendy jumpsuits.

 

22 Hauz Khas Village

+91 11 265 21070

 

 

Pictured: A model wears Bodice -- Courtesy of Ruchika Sachdeva 

 

 

 

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The couple that designs together should by all accounts stay together, or at least we hope this is the case for Ankur and Priyanka Modi. The husband-wife team has emerged as a serious fashion and textile contender, with their eponymous AM:PM label and boutiques, the second of which opened earlier this year at the DLF Emporio complex in Vasant Kunj. The line incorporates both Indian and western-influenced designs. And fabric fetishists covet the top-notch hand printing and embroidery of the jackets, tunics, and saris.

 

DLF Emporio 412

Vasant Kunj

+91 11 405 60240 

 

 

Pictured: AM:PM store entrance -- courtesy of AM:PM

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Péro @ Ogaan
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Pero runway models
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Aneeth Arora's label Péro is all about grass roots, its name from the Marwari word for "to wear," and the output every bit Rajasthani. Captivated by India's local fabric and handicraft tradition, Arora designs clothing that is light, rustic, and exceedingly girly. (And accomplished—the Delhi-based 27-year-old won India's inaugural Vogue Fashion Fund Award.) Though she's yet to open her own store, you can find her collections among the work of other young designers at the couture showcase Ogaan in Hauz Khas Village.

 

Ogaan
H-2 Hauz Khas Village

+91 11 269 67595

 

 

Pictured: Péro on the runway -- Courtesy of Péro

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Nappa Dori
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Nappa Dori luggage
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Former National Institute of Fashion Technology student Gautam Sinha's is going back to basics with his brand Nappa Dori—Hindi for "leather and thread"—a tannery-scented haven of accessories that just opened a new branch at the rapidly diversifying Meharchand Market that is steadily becoming home to Delhi's coolest new fashion and food brands. Expertly crafted bags, trunks, belts, and i-accessories dominate the wooden tables and black-framed shelving units inside the space. We're particular fans of his bright boxy suitcase line.

 

25 Meharchand Market

Lodi Road

+91 11 246 22599

 

 

Pictured: Luggage sets by Nappa Dori -- Courtesy of Nappa Dori

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431-88 @ Twist
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Shweta Kapurs
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Head to the colorful fashion house Twist in Hauz Khas Village, just a couple of doors down from Ogaan, for an eyeful of Shweta Kapur's simple and refined—yet rousingly original—womenswear label 431-88. Citing influences that run the gamut from the sculptures of Donald Judd to the characters in American Psycho, the 25-year-old is another recent London College of Fashion graduate to return home and take Delhi by storm. Block colors paired with bizarre lines and proportions don't get bolder than this.

 

Twist

2 Hauz Khas Village

+91 11 647 88922 

 

 

Pictured: A model wears 431-88 by Shweta Kapur -- Photos by Prarthna Singh

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Amit Aggarwal @ Ensemble
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Ensemble
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Previously known for five seasons of gravity-defying designs at Morphe in Hauz Khas, young fashion innovator Amit Aggarwal has moved on to produce a new and very alternative sari line for Delhi's high-end fashion department store, Ensemble . Using metal and plastic alongside opaque fabrics for blouses with a racy twist, Aggarwal has as good as reinvented the garment. If pop starlet Katy Perry is any indication (she snapped up one of the more space-agey dresses from his collection), international stardom awaits.

 

Ensemble

Near the Ambawata Complex, Mehrauli

+91 266 41834

 

 

Pictured: Modern saris at Ensemble boutique -- Courtesy of Ensemble via Facebook 

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Shrivan and Narresh
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If Amit Aggarwal is busy reinventing the sari this season, then Shrivan Batthia and Narresh Kukreja, creators of the bikini-sari are one step ahead. The duo, working under the name Shrivan and Narresh, caused a stir among the international press this summer with a new beachwear line with built-in fabric wraps. For a fabulously sexy, yet still modest, bikini, as well as more traditional swimsuits, cover-up dresses, and wraps, head to the second floor of 12 Hauz Khas Village, where you'll find Shrivan and Narresh's skimpily minimal, one-room flagship.

 

12 Hauz Khas Village 

+91 11 265 36072

 

 

Pictured: Bikini sari by Shrivan and Narresh -- Photo by Parikhit Pal, Stylist Caroline Young

 

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The Style Hunter's Guide to Delhi
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7 boutiques bursting at the seams with India's freshest design talent

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A DAY IN THE LIFE: Lehmann Maupin's First 24 Hours at Art Basel Miami Beach

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A DAY IN THE LIFE: Lehmann Maupin's First 24 Hours at Art Basel Miami Beach
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MIAMI BEACH — On Wednesday, Art Basel Miami Beach's VIP preview day, Lehmann Maupin sales director Carla Camacho took us through her day at the mega-fair while she spoke to early-bird collectors and press. Her schedule didn't leave much breathing room:

9 AM: We meet at the booth with the rest of the staff to make sure everything looks good, that the floors are clean, that the artwork is all in great condition, and we meet about all the sales of work that may have happened in advance of the fair, holds on work, and general interest among our clients. We get an idea of what may be ahead of us and who is going to be the first in line to confirm their reserves.

10 AM: The media preview starts and people begin walking around asking questions. Georgina Adams was one of the first people to come talk to us.

11 AM: The first-choice preview starts. In that moment we are ready to talk to those people who had expressed interest in reserving works and confirming those sales. Then it's fairly steady from 11 until 2.

3 PM: There is another opening of the VIP preview, so there is a whole new group of people who will come in. So from three to nine is generally the busiest in terms of bodies at the fair, so it can be quite hectic. Transactions are happening simultaneously, so we are in constant communication with our colleagues to make sure we don't reserve or sell the same work.

9 PM: At the end of the night we go over the whole day, look at our sales, and plan for the next day. We usually do some re-hangs and adjustments to the booth, switching out works that have sold for works from the same artist, usually of the same series, that we'd like to show clients for the rest of the week.

10 PM: Generally at the end of the day before the opening I don't go to any parties, I just look forward to having a really great meal. I've had a great tradition of going to Scarpetta on Wednesday night and having a really good pasta and wine. I relax and get ready for the next day.

— Carla Camacho, Sales Director, Lehmann Maupin Gallery as told to ARTINFO's Eric Gonon.

To watch part two of ARTINFO's "Day in the Life" series, click the video below.

To see all our Miami 2012 coverage, click here.

 

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Among Steady Sales at PULSE Miami, a Heart Beats, and Sometimes Flutters

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Among Steady Sales at PULSE Miami, a Heart Beats, and Sometimes Flutters
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The consensus ranged from satisfactory to solid, with few surprises, after the first day of public sales at the eighth edition of PULSE Miami. Eighty-six dealers packed the Ice Palace near downtown Miami, an advantageous venue with spacious booths and an outdoor patio dotted with hammocks, which offers a contrast to the big tents. “What I’ve always loved about PULSE,” says the fair’s director, Cornell DeWitt, “is that it’s a deeply pleasant experience for looking at art.” Many of the dealers in attendance agreed, with Nick Lawrence of New York’s Freight + Volume praising the “convivial atmosphere,” and the event pulled in an attendance of 5,000 on the first day.  

DeWitt cited a 20 percent turnover in galleries this year, and many of the new exhibitors came from Europe, giving the fair a more international flavor than previous iterations. First-timers included The Fine Art Society Contemporary, of London; Nuova Galleria Morone, Milan; Galerie Alex Daniels/Reflex Amsterdam; Vigo Gallery, of London; Galería Visor, of Valencia; Galerie Wittenbrink, of Munich; and, in the Impulse section, Alarcón Criado, from Seville, showing Nicolas Grospierre’s axonometric projections of vintage stereo receivers and public-housing blocks.

DeWitt believes PULSE fulfills a unique niche in the Miami fair market. “My perspective has always been that the market is pyramid-shaped,” with a broad base at the lower end, he says. Photography is a medium price point ideally suited to that midmarket segment, and first-day sales were no exception. M+B, of Los Angeles, made a very strong impression with photographs and C-prints by Alex Prager, Mona Kuhn, Jessica Eaton, and Robert Polidori; the gallery’s Shannon Richardson said that Jeff Rosenheim, curator of photography at the Metropolitan Museum of Art in New York, had stopped by. The enormous Matthew Brandt C-print from his “Lakes and Reservoirs” series behind the desk had sold, as had several of his images of houses silkscreened in bubblegum. Prager’s Judith, 2011, sold out in an edition of six for $14,000. New York’s Danziger Gallery sold out the edition of five of Karen Knorr’s barely domesticated tiger, The Survivor, 2012, at $23,000 a pop, with two going to new clients, and saw takers on Hendrik Kerstens’s Vermeer-like portraits of his daughter in variously tweaked Old Master poses. A large Edward Burtynsky, tagged $30,000 at Galerie Stefan Roepke of Cologne, remained available after the first day.

Two New York galleries chose PULSE to debut works by recent additions to their stables, with Julie Saul showing C-prints of sculptural assemblages of objects found in abandoned Mexico City buildings by Alejandra Laviada, and first-timer Pablo’s Birthday giving over half the booth to the Hamburg-based Thorsten Brinkmann.

The Spanish artist Jordi Alcaraz’s post-minimalist shadowboxes, trapping blank books or sheets of paper between sheets of punctured acrylic, were on offer at Nieves Fernandez, of Madrid; Tomlinson Kong Contemporary, of New York; and Galerie Stefan Roepke. The largest, and finest, Idees Per A Dibuixos (Ideas for Drawing), 2012, at Tomlinson Kong, was priced at $20,500. According to Rebecca Kong, the piece had seen admirers but was not yet sold.

Paper proved popular. Diana Lowenstein Gallery, of Miami, had sold two wall works made of layered, punched sheets of ecru paper by Angela Glajcar at prices ranging from $8,000 to $11,000. Pavel Zoubok Gallery, of New York, sold Shauna, 2011, an intricately pieced portrait made of inlaid cuttings of maps on wood panel by Matthew Cusick, for $20,000. “It was a mob scene early,” says the gallery’s Steve Weintraub. “We do well here.”

Contemporary painting that combined abstraction with collage or snippets of figurative elements found an appreciative audience at PULSE. Roepke’s new recruit, Bulgarian artist Iva Gueorguieva, had a large acrylic, ink and collage work, The Hymn of Aten, 2012, which had drawn a dozen inquiries at $14,000. At Freight + Volume, paintings by Damian Stamer and Kristen Schiele were creating buzz; four works by Stamer, at prices ranging from $3,000 to $5,500, found homes. There was less on offer in the way of historical works, though Morone, from Milan, spotlighted embroidered pieces by the Italian Conceptual artist Maria Lai, a welcome addition.

A frisson of discovery could be found, however, in the emerging-artist solo booths at Impulse. Narwhal, of Toronto, showed collage works made from dead-stock and vintage papers by Jacob Whibley. The cut-paper trend carried over to Jessica Drenk’s shredded encyclopedias strung up in a roiling cloud at Adah Rose, of Kensington, Maryland, and to the meticulous text-based incisions of Pablo Lehmann at Miami’s Black Square Gallery.

Nadine Wottke of Widmer + Theodoridis Contemporary was announced this afternoon as the winner of the PULSE Prize, anointed by a jury that includes art advisor Alistair Hicks and critic Alexandra Peers. The other two finalists were Nicholas Grospierre of Alarcón Criado, and Charles Lutz of C24 Gallery.

Another highlight was the hilarious information-booth installation in the PULSE Play video lounge, WATCH SOME MOVIES, created by Casey Neistat and manned by the artist himself. Conceived and styled after a doctor’s waiting room, the installation offered amenities including jumbo-size bottles of lube and visual aids. It was amusing, if slightly misplaced at a fair whose offerings, by definition, do not attract the most masturbatory of buyers.

To see images from the PULSE fair, click on the slideshow.

To see all ARTINFO’s Miami 2012 coverage, click here.

 

 

 

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Emerald City: Color Trend Report for 2013

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Emerald City: Color Trend Report for 2013
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It’s the color of gemstones, Ireland, and 2013. That’s right, emerald has been declared the official color of the upcoming year. Citing its association with “renewal and rejuvenation,” the color experts at Pantone have christened emerald the latest “it” color, replacing Tangerine Tango (that orange tone is so 2012).

Next year’s favorite blue-green hue popped up all over spring’s runways, and you can expect to see a lot more coming soon. We’ve rounded up 10 viridian pieces that will surely make you green with envy.

Click on the slideshow to see our roundup of emerald-hued pieces. 

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Slideshow: Jewelry Designer Delfina Delettrez on Her Miami Show

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A Walk on the Surreal Side: Jewelry Designer Delfina Delettrez on Her Miami Show

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A Walk on the Surreal Side: Jewelry Designer Delfina Delettrez on Her Miami Show
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Italian jewelry designer and Fendi heiress Delfina Delettrez displayed 10 of her pieces in an exhibition at the Antonella Villanova gallery’s booth at Design Miami/. Each of the accessories was imbued with Delettrez’s signature elements — the bee world, eyes, Surrealism, insects, and movement. Delettrez spoke with ARTINFO about the pieces on exhibit.

Click on the slideshow to read Delfina Delettrez’s comments on her Antonella Villanova Design Miami/ exhibition.
 

 

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