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     Plus, the Drawing Center plans an easy expansion.

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     "Face to Facebook," by Paolo Cirio and Alessandro Ludovico, created a sensation at Berlin's Transmediale Festival — and irked Zuckerberg.

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     The blue-chip artist has conceded that he does not own all inflatable pups, so San Francisco's Park Life gallery can continue vending its pooch bookends.

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     An investigation into hot paintings found in the Wildenstein Institute follows another suit, concerning the concealment of the value of his late father's fortune.

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     In time for the Super Bowl, ARTINFO looked at six approaches contemporary artists have taken to the intense all-American sport in their work. Surprise! There's some homoeroticism.

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     These stunning mosaics may have covered Zechariah's final resting place.

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     Plus, Francesco Vezzoli on his new religion-and-celebrity mash-up at Gagosian.

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     The $5.6 million decrease in funding comes as a blow to culture groups already straitened by the economy.

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     Poetry and even some makeshift interactive art fortifies the occupation in Tahrir Square, but artist Ahmed Bassiouni is among the casualities of clashes with the government.

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     What various newspapers, magazines, and blogs have to say about the digital archive of more than 1,000 artworks from 17 international institutions.

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     Some analysts fear rampant speculation now that art has become a hot investment.

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     Harassed by the Camorra, Antonio Manfredi — the latest museum official to take on Italy's organized crime — wants to move his collection up north.

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     Plus, the short, awful life of J. Paul Getty III.

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     The AXA insurance giant is the rightful owner of the Koenig Sphere, the display of which has pitted 9/11 family members against the Port Authority.

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     The Gehry-designed "cloud of glass" museum for billionaire collector Bernard Arnault has been grounded by a French judge in the mid-construction.

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     While LACMA has stepped up to do fundraising for the massive folk art monument, who stands to gain, besides the devoted enclave of Watts lovers?

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     The General Association of Curators of French Public Collections have issued a lengthy report defending their profession against "extreme free-market logic."

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     Plus, Nazi-loot restitution champion Maria V. Altmann dies at 94.

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     The Perry and Marty Granoff Center for the Creative Arts features galleries, studios, performance spaces, and an interior that is split in half by a glass wall.

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     Amid the uprising, Zahi Hawass has secured the return of antiquities from the Metropolitan Museum, and is disputing accounts of chaos at the nation's museums.

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