— Judd Tully reported on the Impressionist and Modern evening sales at Sotheby’s and Christie’s.
— Scott Indrisek swung by the inaugural edition of Independent Projects — and also chatted about the fair-cum-exhibition’s “hybrid nature” with organizer Matthew Higgs.
— Ashton Cooper asked Rashaad Newsome about his upcoming projects, including a show at Marlborough Gallery and a collaboration with Solange Knowles for SELECT Fair Miami.
— Craig Hubert looked into the live music behind the screening of never-before-seen Andy Warhol films at the Brooklyn Academy of Music this weekend.
— Christopher Williams endeavored to explain his fascination with “chicken culture” at a walk-through of his show at David Zwirner.
— Sophie T. Lvoff discussed her moody, romantic photographs of New Orleans, on view at Prospect.3.
— Anneliese Cooper delved into the “Myth and Math” of Saint Clair Cemin’s new works at Paul Kasmin Gallery.
— Warwick Thompson had nary a positive word (but plenty of less-than-positive ones) for the Royal Opera House’s production of Mozart’s “Idomeneo.”
— Scott Indrisek explored the layered universe of Susan Te Kahurangi King’s drawings, on view at Andrew Edlin Gallery.
— Anna Kats spoke with curator Zoe Ryan about her role in organizing this year’s Istanbul Design Biennial.
— Thea Ballard checked out the sea creatures foregrounded in Wangechi Mutu’s latest show at Victoria Miro.
— The second half of the Rainer Werner Fassbinder retrospective kicked off at Lincoln Center.
