— Reporting from Art Basel, Judd Tully found a wave of early sales. And we had plenty of other Basel coverage: Insiders gave their thoughts on the fair and we offered a look at emerging artists in the Spotlight sector, highlights from the Feature sector, and a follow-up report from Tully.
— Ashton Cooper documented the satirical developments in the controversy surrounding artist Joe Scanlan, the man behind Donelle Woolford, and the ongoing debate about race in the art world.
— Robert Wilson, experimental theater director and collector of “everything,” answered 25 questions in this week’s questionnaire.
— Sarah Hanson profiled sheep-loving collectors Michael and Seren Shvo for Art+Auction.
— The Delaware Art Museum wasn’t having a great week with the less-than-stellar sale of its deaccessioned painting and a censure from the AAMD.
— Scott Indrisek profiled painter Cristina de Miguel on the occasion of her debut solo show with Freight + Volume.
— Alanna Martinez reviewed the Guggenheim’s survey of art from Latin America, “Under the Same Sun.”
— Ross Simonini’s paintings and drawings deal with feet, food, and fraught emotions.
— Scott Indrisek detailed artist Katie Paterson’s current project, an effort to plant 1,000 Norwegian spruce trees that won’t be harvested for 100 years.
— MoMA announced plans for a 2015 Björk retrospective this week.
This Week's VIDEOS:
