The radical group beat out 25 finalists, with the jury swayed by the wide visibility that their stunt, "Cock in FSB Captivity," had achieved. The radical group beat out 25 finalists, with the jury swayed by the wide visibility that their stunt, "Cock in FSB Captivity," had achieved.
An online petition, spearheaded by the Guggenheim, brings together some of the world's top art institutions.
Plus, Dallas Musuem of Art director Bonnie Pitman steps down.
The blockbuster-touting academy has picked Dawn Hudson, head of the non-profit Film Independent, to lead the organization, with Ric Robertson as COO.
Reports in the official Chinese media allege that the artist has committed plagiarism, and an obscenity smear has emerged as well.
Plus, Ab-Ex painter Hedda Sterne dies at 100.
As the richest man in the world, the telecom tycoon could have created something more than a grab-bag of art and objects in a shiny, derivative building.
In the wake of the Los Angeles sculptor's passing, a look at his iconic life's work and the arc of his place in the art market.
SUNY scholar Christopher Robbins has touched off a minor furor with his "Squat the Condos!" class.
New collectors in China are proving reluctant to pay auction bills, so sellers are contemplating safeguards for their top lots.
At the opening of the museum's show of the Greek trustee's collection, the Guggenheim Abu Dhabi labor controversy was in the air.
Plus, Russia's Culture Ministry refuses to censor "disgusting" Voina art.
As the fiery pundit parts with Fox, we look back at his unlikely achievements as a commentator on matters aesthetic.
Having failed to attract crowds with skate pros and ethnic food, the beloved institution looks to a showstopping redesign for salvation.
The art collective is traveling the country in an attempt to turn the nation's MFA programs inside-out.
Plus, the Sharjah Biennial takes its censorship offensive to the next level.
The director of the Andalusian outpost of Madrid's Thyssen-Bornemisza Museum has quit, as has a prominent board member.
For the first post on his new ARTINFO blog "The Cutting Room," Graham Fuller discusses a movie by the English filmmaker.
